The last Hamlet

Lost Dog / Ben Duke GB

Dance theatre
Belgian Premiere
Chapel
100'
12+
EN — Subtitels FR & NL
Depiction of physical and verbal violence

To be or not to be

What if we were to stage the last Hamlet — literally — after which Shakespeare’s play, a classic among classics, would never be performed again, making way for new stories for new times?

For Ben Duke, the British director and choreographer, Hamlet bears a heavy responsibility for the ills of our times: he is depressed, violent and guilty of procrastination. Having learnt that his play has been cancelled, he takes to the stage one last time. He has prepared new arguments with which he hopes to persuade us to grant him a reprieve. Ben Duke uses the character created by the English playwright as a starting point for a sarcastic exploration of existence, revenge and the stories from which we never seem able to escape.

Ben Duke, a leading figure in the English theatre world, has created around a dozen productions with his company Lost Dog, three of which have received awards: Ruination: The True Story of Medea (2022); Paradise Lost [lies unopened beside me] (2015) and It Needs Horses (2011). This is the first time the artist and his company will perform in Belgium, with this production specially created for the IN programme of the 2026 Festival d’Avignon.

"Dans le génial The Last Hamlet, Ben Duke débride ses classiques. Entre stand-up et théâtre dansé, le metteur en scène anglais ambiance la tragédie de Shakespeare en un drôlissime commentaire sur la masculinité fragile, où le public prête sa voix à des personnages en peluche."

Libération - Sonya Faure

"Avec The Last Hamlet, le metteur en scène et danseur britannique Ben Duke déconstruit à Avignon le mythe shakespearien dans une réflexion survoltée et chantée. Un régal d’insolence."

Les Inrockuptibles - Jean-Marie Durand

"Avec The Last Hamlet, Ben Duke mixe Shakespeare et Le Roi lion avec brio. L’acteur-danseur, metteur en scène et chorégraphe britannique propose dans le In une relecture féministe et drôlement irrévérencieuse d’Hamlet, qui met en valeur le personnage d’Ophélie."

Télérama - Emmanuelle Bouchez

"Ben Duke n’exagère pas. Le temps est sans doute venu de museler ce prince hagard qui fabrique des monstres quand il croit les combattre. Le temps est sans doute venu d’en finir avec cet Hamlet de malheur."

Le Monde - Joëlle Gayot

Représentations

Wed. 10 Feb. 2027
20:00
Thu. 11 Feb. 2027
20:00
Fri. 12 Feb. 2027
20:00

Meet the artists after the show

Sat. 13 Feb. 2027
19:00

Concept, direction Ben Duke
Performance Miguel Altunaga, Ben Duke, Hannah Shepherd
Set design, costumes Soutra Gilmour
Light design Jackie Shemesh
Sound design Jethro Cooke
Video design Will Duke
Dramaturgy Karthika Nair
Artistic advisor Raquel Meseguer Zafe
Artistic collaboration Sarah Calver, Luigi Nardone, Jamie Wood
Production manager Ed Borgnis
Technical direction Andrea Scrimshaw
Stage management Andrea Scrimshaw
Stage management Rachel Glover
Costume supervisor Anna Josephs
Lighting technician Daniel Harvey
Lighting programmer Nadene Wheatley
Lead producer Daisy Drury
Producer Emma Evelyn
Tour manager (Europe) Gabrielle Veyssiere
Marketing Beryl Dzambo
Press and PR Judy Lipsy

Co-production Théâtre de la Ville – Paris, Sadler’s Wells, Festival d’Avignon, Roma Europa Festival
With the support of Arts Council England, The Linbury Trust, Pavillon Noir – Aix-en-Provence, Warwick Arts Centre, Dance East, South East Dance

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