Les Brigittines

The play draws its origins in a 1978 electronic composition by John McGuire, Pulse Music III. This work combines a wide array of throbs, tempos and melodies to form a sequence of 24 separate albeit interdependent sections that fold into one another, briskly and unsuspectingly. Gabriel Schenker deconstructs and rebuilds this complex network to transform it into a harmony of pulses and coordination crossing his body in superimposed rhythms.

The captivating polyphonic of the movement allows the dancer to uncoil a clever and clear intent and enables dance to reach this rare quality of making complex structures legible.

An evening made up by 2 pieces cf. Lang